Jonathan groff gay sex scene
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bottoming to his own experience coming out and dating.
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Now it would be gone.įor his part, Groff found himself suddenly a de facto mouthpiece for those conversations and issues, discussing everything from HIV panic, PrEP, and topping vs.
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It was a sadness, a eulogizing of a show that, finally, brought to TV some of the nuanced, organic, everyday conversations and concerns of the gay community. “It was an outpouring of love!” Groff says, almost still in shock himself.īut it was more than that. So when season two finished airing a year later and HBO made the decision to cancel the series, tying things up with a TV movie, the reaction was completely different. It was a hyper-specific, almost diarist look at a group of gay men in San Francisco dealing with their friendships, love lives, and sex lives. “I love when gays argue with other gays about being gay,” Lauren Weedman’s Doris chirps. It’s hard not to absorb one of the best lines from Sunday’s film through the prism of those early responses. More, for many gays it was the worst possible thing: boring. It was “ Girls for Gays.” Sometimes it was “Gay Sex and the City.” Either way it arrived with huge expectations-chiefly to speak for an entire community of people who rarely get to see themselves on TV-but met few of them. When the first season of Looking premiered in 2014, it arrived pre-packaged by critics and TV writers with zeitgeist-ready branding. “The show has changed me for good,” he says. “It all plays on each other,” he says, referencing his various theatre and screen projects.
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Risking tonal whiplash, they rehearsed on weekends when he wasn’t in Pittsburgh shooting his next role, on David Fincher’s new Netflix series Mindhunter, about the FBI’s elite serial crime unit.
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He shot Sunday’s film, a consolation prize for the show and its fans after HBO canceled the series following two low-rated, but much-debated seasons, while on hiatus from diva-walking away with his few short scenes in his Tony-nominated role as King George III in the cultural juggernaut Hamilton.Įven now, promoting the TV movie in a Manhattan hotel suite, he’s guzzling coffee, exhausted after performing a one-night-only musical event at New York City Center opposite Tony-winner Sutton Foster, whom he first met as a teenager after standing in the freezing cold at the stage door after a performance of Thoroughly Modern Millie. “Couldn’t be more different, right?” he says, insisting that “they really informed each other,” with the riffing and collaborating he got to do in Frozen inspiring him to be looser in his performance as Looking’s Patrick, a lovably neurotic video game designer trying to find a sense of himself and his sexuality. Groff recorded his lines for Frozen, for example, while shooting the first season of Looking on-location in San Francisco, doing voice takes for his Disney romantic lead on weekends while cruising for hand jobs in a park for an endearingly awkward Looking scene during the week. The 31-year-old’s career is schizophrenic in the way that actors mostly fantasize about. He’s laughing it off as “quite the dichotomy, right?” But he’s also not kidding. “Yes, to the big gay things,” Groff laughs. Should we switch gears to Looking, I ask, referring to HBO’s polarizing series about a group of gay friends in San Francisco that ends Sunday night with a farewell movie. “We wanted to sing you a song, isn’t that right, Sven?” it continues before Groff realizes how long he’s been harping on this and stops it abruptly. Encouragement from both man and reindeer to stay strong follows. “Hi Laila, this is Kristoff from Frozen and I’m here with Sven. I don’t even have to ask before he starts playing one, blushing a bit as Kristoff talks to Laila, the granddaughter of one of his father’s coworkers who was about to have surgery as part of cancer treatment. “Literally everything,” it turns out, is largely messages he records as his character Kristoff from the 2013 animated Disney smash Frozen-with cameos from Kristoff’s reindeer sidekick, Sven-and sends to young fans as birthday greetings and, sadly, well wishes for medical treatments. He uses the voice memo app for “literally everything,” he swears, excitably (adorably, charmingly, genuinely) taking out his own phone and scrolling through a tour of recordings he’s made himself. It’s-at least, it seems-surprisingly genuine.
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Jonathan Groff lights up when he sees my iPhone voice recorder turn on.